影片库
70年代,伊朗女孩赫拉在罗马尼亚上大学,她认识了一个叫玛利亚的同学。在79年反对君主制的革命爆发后,赫拉怀着政治变革的希望回国,此后再也没离开。接下来的几十年,赫拉和玛利亚通过书信传情的方式,交流她们对政治、社会和人生的看法,直到罗马尼亚也迎来苏东巨变。两场革命之间,是两个女人超越时空的精神恋爱。导演用详实的历史资料作为支撑,通过模糊纪录片和剧情片边界的方式讲述这段感人往事。
HD中字
It follows the turbulent and complex investigation into the killing of British tourist Lucie Blackman.
HD中字
《幽灵肖像》是一场穿越时间、声音、建筑和影像的多维旅程。影片的背景是巴西伯南布哥州的州府累西腓。这是一座历史文化名城,在20世纪,城里的电影院曾经是无数人的欢乐殿堂。它们承载着梦想与进步,也纪录下社会实践的重大变迁。《幽灵肖像》结合历史影像资料、传说、电影片段和个人记忆,以电影的镜头谱绘出城市的图景。
HD中字
HD中字
未知
Capturing the experiences of Afghanistan women's under the Taliban since they took control of Kabul.
HD中字
蒙特塞拉特·埃尔南德斯 玛丽亚·德·洛杉矶·帕切科·塔皮亚 卢斯·玛丽亚·巴斯克斯·冈萨雷斯 萨拉希·罗哈斯·埃尔南德斯 威廉·安东尼奥·巴斯克斯·冈萨雷斯 尤里埃尔·埃尔南德斯·埃尔南德斯 拉米罗·埃尔南德斯·埃尔南德斯 贝雷尼斯·科尔特斯·穆尼奥斯 安德里亚·冈萨雷斯·利马
这部纪录片以偏远的墨西哥村庄"回声"为背景,记录了山谷的孩子们贫苦艰难的真实生活。在这里霜冻和干旱折磨着大地,孩子们照顾着羊群和年迈的祖母,并从父母的一言一行和沉默中学会了理解死亡、疾病和爱 。
HD中字
未知
The Search for a lost film from the 70s takes a young man from one of South America's largest indigenous communities on an existential journey in a post-colonial film about the right to one's own image.
In the 1970s, Oscar-winning French documentary filmmaker Pierre-Dominique Gaisseau moved with his family to Panama to make a film about the Kuna community, one of South America’s largest indigenous peoples. He promised them that they would see it, but for various reasons, production stalled and the film (with the working title ‘God is a Woman’) was never completed. But what happened to the unfinished film reels? That’s what young Arysteides Turpana, on the mandate of the Kuna elders, sets out to find out. His journey takes him to France, but gaining access to the dusty film reels is not easy. Following in his footsteps is Swiss-Panamanian director Andrés Peyrot, who has created one of the year’s biggest festival successes since its premiere at the Venice Film Festival. A film that manages to turn abstract questions about the right to own one’s own image and narrative into a relevant and existential necessity.
In the 1970s, Oscar-winning French documentary filmmaker Pierre-Dominique Gaisseau moved with his family to Panama to make a film about the Kuna community, one of South America’s largest indigenous peoples. He promised them that they would see it, but for various reasons, production stalled and the film (with the working title ‘God is a Woman’) was never completed. But what happened to the unfinished film reels? That’s what young Arysteides Turpana, on the mandate of the Kuna elders, sets out to find out. His journey takes him to France, but gaining access to the dusty film reels is not easy. Following in his footsteps is Swiss-Panamanian director Andrés Peyrot, who has created one of the year’s biggest festival successes since its premiere at the Venice Film Festival. A film that manages to turn abstract questions about the right to own one’s own image and narrative into a relevant and existential necessity.
HD中字
未知
What's the Name of the Film? is on the 68 generation of women filmmakers who made their films in 1990s Turkey. Following their journeys, the film depicts the socio-political panorama of Turkey's last 60 years in its background.
HD中字
维克拉姆 艾西瓦娅·雷 杰亚姆·拉维 特丽莎·克里希南 卡尔迪 艾西瓦娅·莱克希米 索比塔·杜里帕拉 贾亚拉姆 萨拉特·库马尔 帕提班·拉达克里希南 帕布 普拉卡什·拉贾 拉赫曼 基肖尔·库马尔·G· 拉尔 尼扎加尔·拉维 纳赛尔 维克拉姆·帕布 阿什温·卡库马努 莎拉·阿尔琼 巴拉吉·沙克蒂维尔 卡马尔·哈山 维杰·耶苏达斯 马卡兰德·德斯潘德
《庞尼因·塞尔文:第二部分》揭示了前作中朱罗王朝内忧外患的源头:阿迪亚王子和楠蒂妮之间一段凄美的爱情悲剧。朱罗王朝年轻的王子阿迪亚和孤儿楠蒂妮青梅竹马,彼此相爱,然而王室为了拆散他们,流放了年轻的楠蒂妮。
公元978年,楠蒂妮决意为战死的潘地亚国王向王子和他的父亲孙陀罗国王复仇。为了深入朱罗朝廷,她嫁给了朱罗王朝的财政大臣。财政大臣伙同其他朝臣密谋另立国王的兄弟马杜兰塔卡姆为新王,以取代王储阿迪亚王子。潘地亚人誓要灭绝朱罗王族,他们率先向小王子庞尼因·塞尔文下手,但王子在海上突遇风暴,下落不明。听闻王子被大海所吞噬,王叔马杜兰塔卡姆自称为王位继承人夺取政权,并获得了外邦的支持。密林中,潘地亚人谋划着他们对朱罗王朝最后的致命一击,而楠蒂妮决心亲手杀死阿迪亚王子……
公元978年,楠蒂妮决意为战死的潘地亚国王向王子和他的父亲孙陀罗国王复仇。为了深入朱罗朝廷,她嫁给了朱罗王朝的财政大臣。财政大臣伙同其他朝臣密谋另立国王的兄弟马杜兰塔卡姆为新王,以取代王储阿迪亚王子。潘地亚人誓要灭绝朱罗王族,他们率先向小王子庞尼因·塞尔文下手,但王子在海上突遇风暴,下落不明。听闻王子被大海所吞噬,王叔马杜兰塔卡姆自称为王位继承人夺取政权,并获得了外邦的支持。密林中,潘地亚人谋划着他们对朱罗王朝最后的致命一击,而楠蒂妮决心亲手杀死阿迪亚王子……
HD中字
HD中字
在酒店房间的僻静氛围中,达里奥·阿金图精心打造了他最伟大的电影创作,从外部世界寻求安慰,深入研究他的噩梦。现在,他发现自己在酒店房间里,回到了激发他创作热情的环境,完成了他的最新剧本并参加了一次亲密的采访,同时,一个摄制组正在跟踪他,记录他的生活,拍摄一部关于他辉煌职业生涯的电影。
HD中字
Eya Chikhaoui Tayssir Chikhaoui Zine El-Abidine Ben Ali Olfa Hamrouni Nour Karoui 马吉德·马斯图拉 Ichrak Matar 海蒂·萨布里
Between light and darkness stands Olfa, a Tunisian woman and the mother of four daughters.
One day, her two older daughters disappear. To fill in their absence, the filmmaker Kaouther Ben Hania invites professional actresses and invents a unique cinema experience that will lift the veil on Olfa and her daughters’ life stories.
An intimate journey of hope, rebellion, violence, transmission and sisterhood that will question the very foundations of our societies.
One day, her two older daughters disappear. To fill in their absence, the filmmaker Kaouther Ben Hania invites professional actresses and invents a unique cinema experience that will lift the veil on Olfa and her daughters’ life stories.
An intimate journey of hope, rebellion, violence, transmission and sisterhood that will question the very foundations of our societies.
HD中字