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雷达(尼古拉斯·卡萨雷 Nicolas Cazalé 饰)的父亲(Mohamed Majd 饰)是一位非常虔诚的穆斯林,当他觉得自己大限将到命不久矣之时,决定完成身为一名穆斯林的毕生梦想——前往圣地麦加朝圣。本来父亲的打算是让雷达的哥哥开车载他去麦加,可不巧的是,他的大儿子因为一场交通意外而被吊销了驾驶执照无法上路行驶。无奈之下,父亲只得找到小儿子雷达,命令他成为司机。 只有20岁的雷达即将面临学校的会考,与此同时,他还有一个正在热恋的如花似玉的女朋友。面对父亲强势的命令,雷达虽然心里百般的不情愿,却也只能顺从。一路上,父子两人之间爆发了无数次战争。
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Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series. ~ Mark Deming, All Movie Guide The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps. The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial. -Steve Grayson my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty. - Jonathan Rosenbaum
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